Much of my life in showbusiness until now has been defined by the work nobody in Hollywood actually wants to do, but that everyone would gladly take credit and experience for having done, if they could. For ten years, I learned the risks and rewards of producing by financing other people’s indie films with cold-calls to potential film investors. Most of my life has been spent on stage, and my classical theater education grounds my directing work in the fundamentals of dramaturgy and live performance. Read More
How We Screwed the Showbiz Culture Up [And How We Can Fix It]
